<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Pierre on Pierre Lévy</title><link>https://plevy.fr/en/tags/pierre/</link><description>Recent content in Pierre on Pierre Lévy</description><generator>Hugo</generator><language>en-GB</language><copyright>plevy.fr</copyright><lastBuildDate>Tue, 28 Jan 2025 00:55:28 +0200</lastBuildDate><atom:link href="https://plevy.fr/en/tags/pierre/index.xml" rel="self" type="application/rss+xml"/><item><title>Pierre Lévy</title><link>https://plevy.fr/en/pierre-levy/</link><pubDate>Tue, 28 Jan 2025 00:55:28 +0200</pubDate><guid>https://plevy.fr/en/pierre-levy/</guid><description>&lt;p&gt;Drawing on theories of &lt;em&gt;embodiment&lt;/em&gt; and Japanese philosophy and thought, my research proposes a cultural decentring of the arts, design and engineering in order to explore their relationship with non-institutionalised creative moments in everyday life (appropriation, deviation, etc.). Through this research, I am interested in the attitude, the societal role and the limitations of design in the service of transforming practices.&lt;/p&gt;</description></item><item><title>Chaire of Design Jean Prouvé</title><link>https://plevy.fr/en/chaire/</link><pubDate>Sat, 24 Oct 2020 00:55:28 +0200</pubDate><guid>https://plevy.fr/en/chaire/</guid><description>&lt;p&gt;The Jean Prouvé Chair in Design is a welcoming space dedicated to developing the role of design practice and research in society and culture. Its focus is on expressing beauty through everyday materials and reflective practices.&lt;/p&gt;</description></item><item><title>Courses</title><link>https://plevy.fr/en/courses/</link><pubDate>Sat, 24 Oct 2020 00:55:28 +0200</pubDate><guid>https://plevy.fr/en/courses/</guid><description/></item><item><title>Events</title><link>https://plevy.fr/en/events/</link><pubDate>Sat, 24 Oct 2020 00:55:28 +0200</pubDate><guid>https://plevy.fr/en/events/</guid><description/></item><item><title>Pierre Lévy</title><link>https://plevy.fr/en/</link><pubDate>Sat, 24 Oct 2020 00:55:28 +0200</pubDate><guid>https://plevy.fr/en/</guid><description/></item><item><title>Publications</title><link>https://plevy.fr/en/publications/</link><pubDate>Sat, 24 Oct 2020 00:55:28 +0200</pubDate><guid>https://plevy.fr/en/publications/</guid><description/></item><item><title>Research</title><link>https://plevy.fr/en/research/</link><pubDate>Sat, 24 Oct 2020 00:55:28 +0200</pubDate><guid>https://plevy.fr/en/research/</guid><description>&lt;h2 id="japanese-phylosophy-inspired-design"&gt;Japanese phylosophy inspired design&lt;/h2&gt;&#10;&lt;h2 id="transforming-practices"&gt;Transforming practices&lt;/h2&gt;&#10;&lt;h2 id="kansei-studies"&gt;Kansei studies&lt;/h2&gt;&#10;&lt;h2 id="perceptive-qualities"&gt;Perceptive qualities&lt;/h2&gt;&#10;&lt;p&gt;The notion of perceptual crossing indicates the experience of interplay between perceptive activities of multiple beings (train anecdote). Charles Lenay explained the importance of perceptual crossing in the encounter of the other’s perceptual intentionality, in the mutual attraction of perceptual activities (“they come to start a sort of a dance together”), leading to the constitution of a shared world of emotions. Creating such a connection between beings is often experienced, and it is (and it has been for a long time) a quest in design to build such connection between a being (or user) and an artefact: how to design for perceptual crossing?&lt;/p&gt;</description></item><item><title>Teachings</title><link>https://plevy.fr/en/teachings/</link><pubDate>Sat, 24 Oct 2020 00:55:28 +0200</pubDate><guid>https://plevy.fr/en/teachings/</guid><description/></item></channel></rss>