The Proceedings of the Kansei Engineering and Emotion Research International Conference 2010, KEER 2010

Lévy, P., Bouchard, C., Yamanaka, T., & Aoussat A. (Eds.). 2010. The Proceedings of the Kansei Engineering and Emotion Research International Conference 2010 – KEER 2010. Paris, France. ISBN: 978-4-9905104-0-4.

Conference guide

On behalf of Arts et Métiers ParisTech, it is my great pleasure to welcome you to Paris for the International Conference on Kansei Engineering and Emotion Research: KEER 2010.
This event has been co-organized by the Japanese Society of Kansei Engineering, the Taiwan Institute of Kansei, and Arts et Métiers ParisTech. KEER 2010 is organized for the first time in Europe, more specifically in Paris. We are all the more proud to host this conference within our School, which is one of the oldest Schools of Engineering in France, with a culture that focuses strongly on innovation in technology and processes.
The overall theme of the conference is ‘Crossing places, crossing experiences, crossing minds’. We sincerely hope that the conference will set a strong ground for future scientific and cultural exchanges. With time, we hope that the contacts you will make here will help construct long-lasting bridges between our cultures, and bring us closer together in mutually beneficial work relationships. We have been fortunate this year to receive many contributions from 25 countries worldwide, which added up to 410 submitted papers and posters, over 230 of which were selected in the final program. In the next three days, we have organized 7 simultaneous sessions to host presentations from the authors, as well as two keynote presentations every day. We hope each and every one of you will find nourishment for your scientific curiosity and for future lively and fascinating debates.
I am greatly thankful to all authors for their excellent contributions, to the program committee members, and to the referees for their contribution and valuable insight during the reviewing process. I would also like to thank all the people who have helped with organizing the conference: Prof. Hisao SHIIZUKA (Kogakuin University, President of JSKE), Prof. Kuohsiang CHEN (National Cheng-Kung University), Prof. Toshimasa YAMANAKA (University of Tsukuba), Prof. Yu-Ming CHANG (Southern Taiwan Universty of Technology), Assistant Prof. Pierre LEVY (Eindhoven University of Technology) and Assistant Prof. Carole BOUCHARD (Arts et Métiers ParisTech). Particular thanks go to the members of the KEER 2010 organizing committee here in Arts et Métiers ParisTech.
Welcome to Paris. We wish you all a very fruitful and convivial conference.

Améziane AOUSSAT
Conference Chair

The Proceedings of the Kansei Engineering and Emotion Research International Conference 2010, KEER 2010

Lévy, P., Bouchard, C., Yamanaka, T., & Aoussat A. (Eds.). 2010. The Proceedings of the Kansei Engineering and Emotion Research International Conference 2010 – KEER 2010. Paris, France. ISBN: 978-4-9905104-0-4.

paper

The concept of ‘everyday’ is a central topic in design, and this paper argues for more attention and discussion on the everyday than what is currently done in design research. By elaborating what the everyday is, designers can better formulate a perspective on people’s lives and experiences, and therefore can better contribute to the enchantment of the everyday through designing. To contribute to this effort of clarification and enchantment, we first attempt to clarify the concept of everyday and thereafter suggest notions originating from Japanese philosophy to address the everyday in design. The everyday is described mostly through the process of quotidianisation of the unfamiliar towards the familiar. To support designing for the everyday, we propose to focus on Japanese notions: thusness and irregularity. Thusness invites to consider the experience of the here-and-now as being the active relation with the entirety of the world through interaction. Irregularity invites to keep something unexplained in the design, eliciting possibilities of exploration, openness, change, and the shift of perspective. Finally, three relatively practical design concepts, namely micro-considerations, micro-frictions, and (es)sential details, are proposed to support application of thusness and irregularity through design.